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MCA Records 1997

MCA Records was an American record label owned by MCA Inc., which later gave way to the larger MCA Music Entertainment Group (now Universal Music Group), which the label was part of until its dissolution in 2003. The label's country division MCA Nashville is a still active imprint of Universal Music Group Nashville.


MCA Inc., a powerful talent agency and a television production company, entered the recorded music business in 1962 with the purchase of the New York-based US Decca Records (established in 1934), including Coral Records and Brunswick Records. MCA was forced to exit the talent agency business in order to complete the merger. As American Decca owned Universal Pictures, MCA assumed full ownership of Universal and made it into a top film studio, producing several hits. In 1966, MCA formed Uni Records and in 1967 purchased Kapp Records which was placed under Uni Records management.


MCA Records formation in the UK[]

In 1937, the owner of Decca, E. R. Lewis, chose to split off the UK Decca company from the US company (keeping his US Decca holdings), fearing the financial damage that would arise for UK Companies if the emerging hostilities of Nazi Germany should lead to war – correctly foreseeing World War II. Lewis sold the remainder of his US Decca holdings when war did break out. MCA's US-based Decca Records kept the rights to the Decca name in North and South America and parts of Asia including Japan. UK Decca owned the rights to the Decca name in the rest of the world. After the war, British Decca formed a new US subsidiary, London Records.

During this time US Decca issued records outside North America on the Brunswick and Coral labels. In 1967, Brunswick and Coral were replaced by the MCA label, which was used to release US Decca and Kapp label material outside North America. Initial activity as MCA Records was based in London and MCA Records UK was formally launched on February 16, 1968. Among the early artists on the MCA label, around 1971, were groups Wishbone Ash, Osibisa, Stackridge and Budgie, and solo artists Tony Christie, Mick Greenwood and Roy Young. Early MCA releases were distributed by UK Decca but it moved to EMI in 1974. In 1979, distribution moved to CBS, while the last releases in the 1980s were self-distributed, mostly through WEA, though BMG was used during the 1990s. As the US division of MCA Records was not established until 1972, the earliest UK MCA Records material was released in the US on either Kapp or Decca.

MCA UK also issued American Brunswick material on the MCA label until 1972, two years after MCA lost control of Brunswick, after which American Brunswick material was issued in the UK on the revived Brunswick label. Uni label material was issued on the Uni label worldwide.

MCA Records formation in Canada and the United States[]

In 1970, MCA reorganized its Canadian record company Compo Company Ltd. into MCA Records (Canada). In April 1970, former Warner Bros. Records president Mike Maitland joined MCA and initially served as Decca's general manager. Maitland was unsuccessful in his attempt to consolidate Warner Bros. Records with co-owned Atlantic Records which led to his departure from Warner.

In April 1971, Maitland supervised the consolidation of the New York-based Decca and Kapp labels plus the California-based Uni label into MCA Records based in Universal City, California, with Maitland serving as president. The three labels maintained their identities for a short time but were retired in favor of the MCA label in 1973. "Drift Away" by Dobie Gray became the final Decca pop label release in the U.S in 1973. Beginning the same year the catalogs of Decca, Uni and Kapp were reissued in the US on the MCA label under the supervision of veteran Decca producer Milt Gabler.

Early success[]

The first MCA Records release in the US was former Uni artist Elton John's "Crocodile Rock" single in 1972, which appeared on a plain black and white label.[15] Immediately following this the US MCA label used a black with curved rainbow design until the late 1970s. This design was directly inspired by the US Decca label of the 1960s.

In December 1972, Neil Diamond, another Uni artist, reached superstar status with his first MCA release, the live multi-platinum Hot August Night. Elton John's double album Goodbye Yellow Brick Road was released in October 1973 and was number one on the US Billboard 200 albums chart for eight straight weeks. The management of former Decca artists the Who had formed their own label Track Records in the UK but were still under contract with MCA for US distribution. The Who's double album Quadrophenia was released by Track/MCA also in October 1973. Quadrophenia peaked at number 2 as it was held back from the number 1 slot by Goodbye Yellow Brick Road.

Other successful artists on MCA after the consolidation included former Kapp artist Cher, and Uni artist Olivia Newton-John. MCA released the highly successful soundtrack album to the 1973 film The Sting. The soundtrack music was arranged and conducted by Marvin Hamlisch and won an Academy Award for Best Original Score (MCA issued many other soundtracks to films from Universal, along with some non-Universal films).

One of the most successful new MCA artists in this era was the rock band Lynyrd Skynyrd. Originating from Jacksonville, Florida, the group would go on to become one of the most popular in the Southern rock genre. The group was discovered and produced by Al Kooper and the records were initially released on Kooper's yellow "Sounds of the South" label imprint of MCA. The song "Free Bird" peaked at #19 on the Billboard Hot 100 chart in edited form, but the full-length version became one of the most popular songs of all time on album-oriented rock radio stations. On the second album, Second Helping, the group recorded a song about their relationship with the label called, "Workin' for MCA". Three Lynyrd Skynyrd albums reached the double platinum sales level and at least two others reached platinum or gold levels. The album Street Survivors was released in October 1977, just prior to a tragic plane crash in rural Mississippi in which members of the group were either killed or severely injured. The original Street Survivors cover had a picture of the band members surrounded by flames, but this was quickly substituted for a revised design without flames. Though a latter version of the group enjoyed success, Lynyrd Skynyrd's streak of hits ended after the crash.

During the 1970s and 1980s MCA profited from reissuing classic early rock and roll recordings made by artists who recorded for the numerous labels absorbed by MCA. One notable example was the 1954 Decca recording "Rock Around the Clock" by Bill Haley & His Comets, which was featured as the lead track of MCA's No. 1-charting American Graffiti soundtrack album, and as a single returned to the American top 40 that year, 20 years after it was recorded.

Universal Music Group[]

In 1995, Seagram Company Ltd. acquired 80% of MCA. In November of that year, Teller was fired and replaced by former Warner Music Group head Doug Morris. Palmese left MCA a week later.[26] The following year, the new owners dropped the MCA name; the company became Universal Studios, Inc. and its music division, MCA Music Entertainment Group, was renamed Universal Music Group (UMG), headed by Morris.

In 1997, MCA Records adopted a new logo that featured the parent company's former full name. Many younger people had been unaware of what MCA had stood for in the past, hence the new logo.

In 1998 Seagram acquired PolyGram (owner of British Decca) from Philips and merged it with its music holdings. When Seagram's drinks business was bought by France-based Pernod Ricard, its media holdings (including Universal) were sold to Vivendi which became Vivendi Universal which was later renamed back to Vivendi SA after selling most of the entertainment division (which included Universal Pictures) to General Electric. Morris continued to head the combined company, still called Universal Music Group.

MCA label phaseout[]

In spring 2003, the MCA label was absorbed by sister UMG label Geffen Records. Today Universal Music Enterprises manages MCA's rock, pop, and urban back catalogues (including those from ABC Records and Famous Music Group) in conjunction with Geffen - UME and Geffen have re-released various albums from MCA in the years since, as well as several compilations. Its country music label MCA Nashville Records is still in operation, and is the only business using the MCA trademark as of 2016. MCA's jazz catalogue is managed by Verve Records (through the Impulse! and GRP imprints, depending on whether the recording was acquired from ABC or not), while its classical music catalogue is managed by Deutsche Grammophon. MCA's musical theatre catalogue is managed by Decca Records on its Decca Broadway imprint.

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